The BlueCat Screenwriting Workshop: LONDON
August 12-17, 2008
Birkbeck, University of London
Malet Street, Bloomsbury
London WC1E 7HX
The Art of Screenwriting (two day workshop)
09:00 - 17:00 on August 16, 17 in room B35 Malet Street
Cost: £150
The Ten Page Workshop (limit 5 seats per day)
18:30 - 23:00 on August 12 in room 629 Malet Street
Cost: £125
18:30 - 23:00 on August 13 in room 629 Malet Street
Cost: £125
18:30 - 23:00 on August 14 in room 629 Malet Street
Cost: £125
Gordy Hoffman, the award-winning writer/director (LOVE LIZA, A COAT OF SNOW) and founder of the BlueCat Screenplay Competition, will travel to the UK this August to lead a week of screenwriting workshops at the University of London.
The creative principles of the workshops were borne out of over a decade of experience of judging the only major script competition in the world helmed by a produced screenwriter, a writer who continues to write today.
I unequivocally recommend the BlueCat Workshops to any writers looking to further their skills in the art of screenwriting. Gordy Hoffman has the rare ability to bring together a diverse group of writers with different backgrounds and varying levels of experience and quickly coalesce the group into a highly productive roundtable where the whole becomes greater than the sum of the parts. I have always walked out of the BlueCat Workshops feeling rejuvenated and feeling that I just moved my screenplay and my writing in general forward more in a day or two than I would have otherwise in several months on my own. Gordy is highly skilled at providing insightful notes on all aspects of a screenplay in a fun, non-threatening, non-judgmental way. The fact that Mr. Hoffman is a gifted, active screenwriter in his own right also allows him to communicate insights that I believe many other workshops and classes simply can not offer.
Todd Luongo
The BlueCat workshops help the writer develop the authentic, original voice behind every story that impacts the emotions of the audience, the essence of all commercially and artistically successful films.
If you care passionately about your script and story, this week will provide the tools to transform your commitment and concern into a compelling film.
WORKSHOP DESCRIPTIONS:
The Art of Screenwriting (two day workshop)
The screenplay is creative writing. It is imagination in action, the heart of every experience of the writer speaking truthfully and generously.
Writing creatively for the screen has no method, no formula, no rigid worksheets to comply with or enforceable rules hanging on a wall somewhere. Every conformity or formula determined and “discovered” by the screenwriting establishment can be blown apart by some of our most beloved movies.
But what cannot be argued away is that every classic movie we love has affected us emotionally.
This is always true.
There are principles of authentic storytelling. Yes. But these are not learned, but remembered from our own experiences of living our lives. The ability to tell a story lies inside every human being.
These questions, among others, will be examined at length at the workshop:
- What makes for a robust idea for a feature length film? How should I consider this idea? Where do ideas come from? What is planning vs. imagination?
The workshop I attended in Illinois was one of the best experiences I had on any training level. In just one day, Gordy presented the teaching in such an easy to understand format that I practically remember every major point to this day. I finished my script and am currently working on another. Thanks a million.
Graham Fielding
- What are the various approaches to the first draft? Does an outline hurt or help? What is the true value of research? Can I just start writing now?
- What is the tone of rewriting? What are the goals of revision?
What are the tools of de-constructing your first draft? How many rewrites is healthy?
- How does dialogue affect my audience connection? When is dialogue not cinematic? How does dialogue improve?
- How does description hurt your ending? Does description help an audience care about characters?
- Do all characters have a genuine place in my story? Can I write about people I hate? Can I write about things I imagine and never do? Does that mean I’m not "writing what I know"?
- Who is qualified to give me feedback? Are some notes simply worthless? What does praise for my work do?
- When do I become a screenwriter? Can I make movies where I live? How do I find the real film industry and make relationships?
- Are there other reasons why I’m stuck? How do writers write on a daily basis? How do I trouble shoot when I'm drawing a blank? Why do I get bored?
- Why is pitching my movie important? Do I have to be good with pitching? When does a pitch work?
- What does the personal voice have to do with box office grosses? What is my audience and how smart can I be? How will the audience identify with my own life experience?
Based on what I gleaned from one day of listening to Gordy talk about what the scrennplay is and isn't on the page, I have reformatted my next project and my instructors were impressed. Way to go, Gordy!
Jenny Deason Copeland.
Writers will engage in writing and pitching exercises designed to flesh out new ideas or rework existing scripts. Please bring your laptops and/or paper and pen.
If each person is indeed unique, it follows simply that each writer is unlike any other, and can write a story no one else on Earth can. This purpose is the mission of this workshop.
09:00 - 17:00 on
August 16, 17 in room B35 Malet Street
Cost: £150
The Ten Page Workshop
The Bluecat workshop is a fantastic opportunity to discuss your screenplay in an intimate setting chaired by one of the industries best. It is a small investment in time and money that will pay great dividends for your understanding of story and the way Hollywood works. A "must do" for any aspiring writer.
Svet Rouskov
These workshops will consist of 5 writers each submitting ten pages of a work in progress in advance. We will go over each work individually, discussing the specific, unique challenges each writer is facing on the page. This discussion will include the technical aspects of description and dialogue, the depth and reality of the characters, and how the ten pages reflect where the entire story goes.
The intimate, focused interaction with fellow writers in the workshop will provide all with a greater understanding of the work that lies ahead on their screenplay, and more importantly, a detailed sense of how they might develop as writers themselves.
18:30 - 23:00 on August 12 in room 629 Malet Street
Cost: £125
18:30 - 23:00 on August 13 in room 629 Malet Street
Cost: £125
18:30 - 23:00 on August 14 in room 629 Malet Street
Cost: £125
Bio of Gordy Hoffman
Winner of the Waldo Salt Screenwriting Award at the 2002 Sundance Film Festival for LOVE LIZA, Gordy Hoffman made his feature directorial debut with his script, A COAT OF SNOW, which world premiered at the 2005 Locarno Intl Film Festival. A COAT OF SNOW made its North American Premiere at the Arclight in Hollywood, going on to screen at the Milan Film Festival and the historic George Eastman House. A COAT OF SNOW won the 2006 Domani Vision Award at VisionFest, held at the Tribeca Cinemas in New York City. Gordy is the founder and judge of the BlueCat Screenplay Competition and teaches screenwriting at the USC School of Cinematic Arts. He is currently writing a movie about Los Angeles.
Here are more comments from BlueCat Workshop attendees:
BlueCat workshops are all about honing your skills to write the story the exists in your imagination, and how to make that story engage the audience in real time. That begins with the first person to read your script and the first ten pages. Lead her into the world you've created, engage her, page by page and your story is one person closer to getting made.
Gordy helped me do this by pointing out the things I had missed and had gotten right, things an audience would need to know and feel before they could delve into the world. His enthusiastic, experienced and forthright assessment is just the kind of feedback I needed to hear. He captured everyone's attention by showing his commitment to making our work better.
The level of writing and feedback from other attendees is something that's so very important in a workshop experience. And at BlueCat, everyone was serious about the craft of writing and that's also what makes this workshop extremely productive.
At the day's end, my head was full of new ideas which brought about a renewed enthusiasm for the story. As if road blocks had been knocked aside, creating new pathways for my character's journey.
If only there were weekly or even biweekly BlueCat seminars here in NYC - that would be fantastic!
If BlueCat comes to your town, please, don't miss it.
Julie Gribble, NYC
Personally, I find a great joy in knowing that there are other people squirreled away in their rooms, daydreaming of a film fantasy world, as much as I am. Having a place where writers can get together and see which parts of their ideas work without fear, makes the BlueCat Workshop an incredible resource.
Although, sometimes painful, Gordy will cut through your bullshit and make an honest screenwriter out of you. His approach is direct, funny, and open. He gives your story his full attention and works with you to improve your vision. It’s obvious he loves the world of story, and wants the best for yours.
Daniel Finley
Writer/Director
I attended the BlueCat Workshops in Asbury Park, New Jersey. Drove up from Virginia (10 hours) not knowing what to expect. Immediately bonded with Gordy and the other scribes. Left there a better screenwriter. Rehashed my experience the whole ride home, and for days to come. Realizing how much Gordy had to offer, and how generous he was with regard to sharing his knowledge, myself considering going to the Washington, D.C. Workshop a few weeks later. His easy-going style, undying wit and genuine admiration for his fellow writers were all definite drawing powers, but it was his insightful, challenging comments on how to make your story better while "writing for the screen" that made it a no-brainer. I attended, had another amazing experience and, again, left there a better screenwriter. What more could you ask for in such a short time and for such a reasonable fee? It's what it's all about...honing your craft. So pack up your laptops, stories and dreams and track down a BlueCat near you. You'll be thrilled and more than glad you did. Godspeed!
R.K. Townsend (Writer-Director "Gas Station Jesus")
Gordy is an excellent teacher! He views film both as a business and an art form. The workshop is definitely a must for
anyone serious about screenwriting.
Ron Praymak
A great start more often then not leads to a winning finish. Mr Hoffman's non- intimidating style and personal approach, cultivates an informal atmospshere where creativity meets craftsmanship. For me, that's proved to be invaluable and worth every penny the both times I attended his workshops.
Priya Packiam
Gordy Hoffman's classes are wonderful because they take you beyond
the typical cliches of screenwriting classes. He looks at
each screenplay as unique -- and makes you look at its
possibilities in new ways. I highly recommend Gordy -- and
his classes!
Annie Stone
I looked forward to attending the BlueCat Workshop in Chicago, but after 24 hours of being deathly ill with a strain of flu that ignored the anti-bodies of my flu shot, it was nothing short of a miracle and the opportunity to meet Gordy and participate in the BlueCat Workshop that motivated my lifeless body that Sunday morning. It was an experience I will repeat at the first opportunity... the workshop that is. I was resurrected that morning and while I didn't make it through the whole workshop and fell back into bed for two days of flu backlash, I know my first ten pages were healed that day!"
If this is too much... please feel free to use any part of my thank note below... and I would love to have my name included.
Ms. Kevin Kalmes
The BlueCat workshops are so much fun. The classes are small- therefore giving every script equal amounts of attention. Gordy Hoffman is such an inspirational teacher that he makes you want to write. I went to the workshop knowing I could possibly be a screenwriter. I left the workshop feeling like an accomplished screenwriter, and determined to rewrite my masterpiece. I'd take Gordy's class on a weekly basis if I could. It's a "MUST" for every screenwriter currently working on a script. And Gordy is a BRILLIANT TEACHER.
Elena Moscatt
I had recently attended the Toronto 10 Page workshop.
I had found it incredibly rewarding to discuss with a
room full of writers the art of screenplay writing.
It was a great opportunity to examine your work
through collective feedback from your peers.
Personally for me, the workshop helped me recognize
certain elements in my screenplay that were lacking in
order to make the pages come to life more. And with
that, it was plenty enough inspiration to go home and
continue doing the thing I love - that is write!
Jim Doucette
They say writing is a solitary process, but having other writers appreciate your words (or not) really does take it to the next level. I thought I might learn a thing or two and have some fun. My first workshop was fun, but it was packed -- I was still processing new things I'd learned for days after the event. At the Bluecat workshops I've made new friends who have continued the feedback process months after the event.
James Lee Higgins
This past year I’ve attended several of Gordy’s workshops including the 10 page and the feature length workshops. I can honestly say I’ve learned more from Gordy than from all of my screenwriting books combined. Nothing beats a hands-on learning experience. Gordy has a way of dissecting what you’ve written then showing you how to put it back together so it works. The workshops are a lot of fun and I’ve made some great friendships through them.
Marnie Mitchell-Lister, Spring Lake, NJ